Initial D News
- May 2005 -
Overcoming
the Odds Filming Initial D
By MICHAEL CHEANG (TheStarOnline)
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Director Alan Mak: |
Initial D reunites one of the most successful
directorial teams in Hong Kong, Andrew Lau and Alan Mak,
the duo behind the Infernal Affairs trilogy, for which
they were both crowned best director at the 22nd Hong
Kong Film Awards and the 40th Golden Horse Awards in
2000. However, the pair found filming Initial D, which
took place in Japan and Hong Kong, to be more
complicated than their previous films, mostly because of
the difficulty with filming racing cars in action.
The film took 18 months to shoot, and at the time the
foreign press met them at Shanghai early last month, the
film was still a week from completing post-production.
Director Alan Mak: Filming cars can really make you go
mad. Filming cars can really make you go mad. It takes a
lot of time and energy, and sometimes we would not feel
like starting work at all, said Lau. Street car chases
are a lot easier to shoot, but hill-racing and drifting
down slopes are very difficult to capture on film
properly.
According to Mak, they faced problems with certain
scenes because they couldn‘t get proper angles and
shots. It was a good thing that we have computers to
help us plan the shots. We used them to plan some of the
scenes, and to show how the cars would move and so on,
he said.
Lau added: We spent a lot of time planning the shots
in order to bring out the exact atmosphere shown in the
script and the source material. We were under a lot of
pressure to make this film as good as possible. Besides
worrying about the camera angles, they also had to pay a
lot of attention to safety, especially that of the cast
and crew. Making a movie about cars can be very
dangerous. In this movie, the cars-related scenes took
up at least two thirds of the entire show, and what gave
me the most pressure was worrying about the safety of
the actors and the crew, said Lau. We had many
accidents, and crashed some of the cars during filming.
But thankfully there were no major accidents.
Although the actors came through the shoot unscathed,
the same could not be said about the cars. Only five out
of the 20 used were still in good condition by the end
of the shoot. The ones that were worst hit were the
Toyota AE-86 cars driven by Takumi Fujiwara (played by
Jay Chou). It was quite hard to find AE-86 cars and we
were lucky to find so many eventually, said Lau. We
spent a lot of money buying them from second-hand
dealers.
While professional stunt drivers executed most of the
more dangerous stunts, the directors also allowed the
actors to drive the cars as much as possible. I wanted
the actors, especially Shawn (Yue), Edison (Chen) and
Jay to be able to do some driving as well. So before
filming began, we went out of the way to find a suitable
location for them to practise, and hired professional
drivers to teach them, said Lau. However, as the young
actors got better at driving, they became more
enthusiastic and daring, which caused Lau to worry. When
asked the bold move of casting the amateur Chou in the
lead role of such a major film, Lau said that they had
full confidence in the Taiwanese singer.
We wanted someone who could play the character as
himself, and we felt Jay‘s personality suited the
character well, said Lau. When we met Jay in Taiwan to
show him the script, he only uttered two words
throughout the entire conversation good and ok.
Fortunately, Chou came through with flying colours, and
the directors were full of praise for the debutant. Most
first-time actors have problems visualizing something
that is abstract, such as emotions. Some things just
can‘t be demonstrated, like cutting oneself with a pair
of scissors. We can‘t really cut his finger so that he
could feel the real pain and act it out. So the actor
has to imagine it. Jay is very good at that. He can
visualise the abstract scenes and situations very well,
and that his greatest asset. Because he is a composer,
and a very creative person, his ability to imagine is
very good, said Lau.
Chou also made an impression on the more seasoned
actors, especially Anthony Wong who heaped praises on
him. I have never seen Anthony having such high regards
for a new actor. He even said that Jay is a prodigy!
(Source www.Star-ecentral.com)